Archives: #SCBWI

That’s Right, I’m Sixty.

Holy Moly, I’ve just celebrated sixty trips around the sun! And … um … I’m not sure how I feel about it. I mean, thirty was flirty; and forty was “the new twenty,” right? Fifty was pretty nifty. But 60? Sixty is mixty … giving me mixed emotions, that is. (I made “mixty” up, but it fits. Feel free to use my new word!)

A lot happened over the last couple of years. There was the Covid chaos, and we all know how awful that felt. But some good things came about too: I finished a middle grade novel, and I became agented by Keely Boeving of WordServe Literary. She and I went out on submission with the novel, and we’re in the process of looking for a publishing home for my manuscript—fingers crossed. Then, my husband and I spent a full year renovating our home that we’ve lived in for over twenty years. And I threw myself a fun birthday party for several close friends.

For a birthday gift, my husband Kevin surprised me with a bottle of 1963 port wine. It has aged as long as I have, except it lived most of its life fermenting inside an oak wood cask. (I’m hoping to stay out of all wooden caskets for a few more decades, lol). I read my new wine bottle’s description online as follows: A pale tawny wine; an assortment of spices combining into a tuned symphony; full-bodied; a long delicious aftertaste. Honestly? That sounds a bit like ME! Pale, spicy, full-bodied … and if I’m your friend, I’ll stick around for a really long time. 😉

There are more words that struck me. “Fresh and surprisingly clean and youthful for its age,” the description reads. Youthful for its age? Hey, I’ll take that explanation! Continuing, “It lingers nicely”—well, so do I! And, “Sexy yet ultimately crisp”—yes and yes, me too (well, my hubby thinks so?). All jokes aside, here’s something even cooler: “The 1963 Colheita Port is an old vines field blend bottled in 2014.” That phrase made me remember what I was doing in 2014, when my birthday bottle of wine was coming out of an old oak cask, finally being bottled into its perfect glass home. That’s the exact year that I came up with the idea for my first children’s picture book, Arthur Zarr’s Amazing Art Car. (The wine and I were doing some special work that year!)

Some of you remember the story. I don’t drive an art car myself, but the concept came to me one morning during rush hour while driving my then-teenage son to school. I used to keep the back of my old SUV covered with various bumper stickers. I joked with my son, Will, that I needed to be a polite driver and obey the laws of the road because my car is so incredibly recognizable. He laughed at me, insisting that no one ever notices me and certainly not my car. During the drive, Will’s comment got me pondering what else—besides bumper stickers—might make a car memorable? That question triggered me to think about art cars, and by the time I finished my morning carpool, the concept for the picture book was born.

I went on to publish Arthur Zarr’s Amazing Art Car, followed by a second picture book, Yazzy’s Amazing Yarn. Those two books have offered me the opportunity to speak to students at over 100 schools (and counting) about writing, publishing, inspiration and creativity. Additionally, I always invite a REAL art car to accompany me, which brings the publishing process—from inspiration to an actual hardcover book—full circle for the children. What began in 2014 as just a little seed turned into my passion business; similar to when my birthday wine left its oak cask, gradually becoming a delicious port wine over the years.

I don’t know when Kevin and I will uncork that pale, tawny 1963 port. I don’t know when (or if) my middle grade novel will be published. But I do know one thing—fine wine takes many years of “mixty-ness” to reach its full potential. So maybe sixty is a little bit mixty for me, too, but I think I’m okay with that.

~ Be Amazing!

Butterflies Mixed with Cartwheels

When you get an email from a writer who’s with the Los Angeles office of the SCBWI, you sit up and pay attention. If you don’t already know, SCBWI stands for Society of Children’s Book Writers and Illustrators. It’s the only professional organization specifically created for individuals who write and illustrate for children and young adults. And, it’s international too, with nearly 100 chapters around the world: https://www.scbwi.org/

But… back to ME! I was asked to be interviewed for the SCBWI Pro-Insider newsletter and when I first read the email request, I paused with a “Wait, what?” kind of feeling. I was nervous (butterflies) and excited (cartwheels). I mean, it goes out to about 10,000-plus members! How did they even hear about me and my two indie books, I wondered? Laurie Miller, SCBWI’s event coordinator and writer-at-large in LA, explained that one of the regional chapter advisors referred me. In July, I had spoken via Zoom at the SCBWI Ohio Central-South chapter meeting, delivering a talk called “How to Hustle: Tips from a Self-Published Author.” (So, thank you Kathryn Powers & Leigh Lewis for singing my praises!)

I hope you enjoy the SCBWI Pro-Insider article. Here’s a LINK to read it: https://www.scbwi.org/finding-and-working-with-an-illustrator-when-self-publishing-a-picture-book/

Thank you, SCBWI for giving me the opportunity to talk about the path I took in hiring professional illustrators for my two picture books. I adore Bill Megenhardt’s hand-illustrated cross-hatch drawings that brought ARTHUR ZARR’S AMAZING ART CAR to life. And the original watercolors that Emily Calimlim did for YAZZY’S AMAZING YARN are so bright and beautiful. I will always be grateful to Bill and Emily for joining me in this book adventure. And like I say in the article: Always Pay Your Creative Professionals A Fair Rate That Acknowledges Their Value! You’re missing out if you’re not already following these two on Instagram… Bill is @megenhardtstudio, and Emily is @limlimillustration.

Also check out Kathryn Powers’ website here; she’s the regional advisor who referred me around SCBWI as a potential speaker: https://www.kspowers.com/ She’s a writer and illustrator, to name just a few of the hats she wears. And follow my friend Leigh Lewis on Twitter @leighwriting. I appreciate their support of my endeavors.

If you’d like me to speak (virtually for the time being!)—about writing, publishing, creativity and inspiration—at your school, library, meeting, organization, etc., please reach out by sending me an email through the CONTACT tab on my website: https://www.catheynickell.com/contact/

I’d love to hear from you!

Be Amazing!

I’m Grateful For My Opportunities

This Thanksgiving season, I’ve been thinking about what I’m grateful for. Like many, I would put HEALTH at the top of the list. Not just my own health (which is pretty good, knock on wood), but also that of my large family. My mother had a rather serious health issue this year, as did my youngest sister; thankfully, they have both navigated the road to recovery and are doing fine. My father—at age 82—has a full-time career running a non-profit organization, does part-time ministry volunteer work, and is also working on a PhD in mind-body medicine. Talk about good health … WOW! Dad is truly the energizer bunny! The rest of my family is healthy, too, as are my four children and my husband. I’m grateful.

Beyond health, I’m grateful for OPPORTUNITIES. I’ve always been a writer. Every job I’ve ever had throughout my career has been as a writer: newspaper journalist, magazine contributor, public relations professional, etc. About seven years ago, I relaunched my writing career when I was hired to research and write the 60-year history of the Institute for Spirituality and Health in Houston’s Texas Medical Center. The result was Uniting Faith, Medicine and Healthcare, a nonfiction book that ISH uses as a communications and development tool. The book also became the foundation of my thesis project, earning me a Master of Arts from LSU-Shreveport in 2013. You can read more about the Institute and their mission here: https://www.spiritualityandhealth.org/

That freelance job for the Institute opened up my mind to different writing styles, and I bubbled with ideas for children’s books. I launched my first book for kids—Arthur Zarr’s Amazing Art Car—in 2016, and the following year, it was awarded first place by the Texas Association of Authors in the category of Picture Books. My story even inspired the Northeast Louisiana Children’s Museum to create a permanent art car exhibit. Many OPPORTUNITIES opened up for me, and I became an elementary school speaker. I’ve now presented at more than 70 schools, spreading my artsy message about reading, writing and creativity to thousands of children. I also met dozens of creative individuals who enjoy the art car lifestyle; they join me at my school visits, bringing smiles wherever they go.

My second picture book, Yazzy’s Amazing Yarn, launched in August 2019 and is a playful story about a girl who “yarn bombs” her neighborhood park. It was named a finalist in the 2019 Best Book Awards by the American Book Fest in the category of children’s hardcover fiction picture books. The contest yielded over 2,000 entries from mainstream and independent publishers, which were then narrowed down to some 400 winners and finalists. Reader’s Favorite gave YAZZY a coveted top five-star review. Also, my illustrator, Emily Calimlim, won a diversity scholarship at the SCBWI-Houston conference this year and was named Most Promising Portfolio for 2019. I feel lucky to be in Emily’s talented sphere! Check out the winner and other finalists in my category for the 2019 BEST BOOK AWARD here: http://www.americanbookfest.com/childrensbooks/picturebookfiction.html

“Yazzy’s Amazing Yarn is a yarn-tastic story that will motivate young readers to be creative and bring color into all aspects of their lives.” — READERS’ FAVORITE FIVE-STAR REVIEW

Other writing OPPORTUNITIES this year include:

• In June, I was recognized as a finalist in the Writer’s League of Texas 2019 Manuscript Contest for a middle grade work-in-progress;
• In November, I attended the 2019 Better Books writing workshop in Petaluma, California, which gave me the chance to meet agents, editors, and other talented authors;
• In October, I had a productive weekend at the SCBWI-North Texas Novel Retreat in Waxahachie, Texas, allowing me to get one-on-one advice from an agent;
• At the September SCBWI-Houston annual conference, I received critiques from some top editors in the kid-lit world, which improved my work-in-progress;
• My local writer’s critique group added some new members, creating lasting friendships and valuable feedback on my current manuscript.

Right now, I’m trying to carve out time to write. I’ve garnered some publication interest in a middle grade novel I’m writing, so my goal is to complete it by early 2020. I’ll keep you posted on my efforts!

Meanwhile … what are you thankful for? And remember to BE AMAZING!

P.S. I can’t close this newsletter without patting my friend TERI CASE on the back! She WON in the Fiction Cross-Genre category in the American Book Fest 2019 Best Book Awards for her novel: In the Doghouse: A Couple’s Breakup from Their Dog’s Point of View. This book makes a fun holiday gift or book club read! You can learn more about Teri and her books here: http://www.tericase.com/

Fifty (school visits) is Nifty!

Milestone alert! I recently celebrated my FIFTIETH school author visit! I’ve delivered my presentation so many times, I can practically do it in my sleep. Nevertheless, every visit feels fun and special. There’s always something new and different that comes up, which means no two visits are ever alike.

Take, for example, that one student who asked, “Why don’t you have a body guard since you’re supposedly so famous?” And the time an honest child informed me that I look older in person than I do in my poster’s marketing photo. Oh, and the really bold kid who wanted me to sign his forehead!

Those are some funny examples, but there are tender moments, too. “I can’t wait to go home and write a book” is a frequent and favorite comment I receive at most every school visit. The girls often tell me they love my necklace (it’s a little blue car charm) or that they love my dog (Cricket is featured in my presentation). I’ve even had some sad comments, like when a child comes up to tell me that he/she doesn’t have a mother (that has happened) or that their father passed away (that has happened, too). When that occurs, I know to just give the child a big hug. Silly, sweet, or sad—I cherish all of these experiences.

Reaching my 50th school visit felt important, so I decided to ring it in with STYLE! Houston’s amazing Ridgemont Elementary School in Fort Bend ISD was the school that happened to be my special fiftieth, and I invited not one but TWO art cars. Art car driver Elizabeth Burnham brought her purple furry “Penelope,” and Jada August brought her new painted art car called “Dragonfly Whimzee.” The kids LOVED them!

I also created a huge gift basket as a door prize (something I’ve never before done for a school visit). I filled it with numerous autographed books, candles, artwork, trinkets and chocolate—I mean, who doesn’t like chocolate? P.E. Coach Jessica Edwards was the lucky winner, and she made my day when she said, “Omg, I never win anything! Thank you!” Then she quickly took off to lock it up in her office for safekeeping, lol!

And finally, I gifted the school with an oversized custom drawing by my amazing illustrator, Bill Megenhardt. He drew Ridgemont’s roadrunner as he thought it might look in an art car parade! The students, faculty and staff went crazy for Bill’s creative rendition, which will forever hang in their library.

My 50th school visit at Ridgemont was a good day, and it reminded me of comedienne Molly Shannon as the infamous Sally O’Malley on Saturday Night Live: “I’m fifty! And I like to kick, stretch and kick! I’m fifty!” And that’s how I really feel … kicking my heels up (literally) each time I book another school visit … and streeeeeeetching myself to get outside of my comfort zone.

I can’t wait until the day that I get to post about my 100th school visit … stay tuned! And I hope you all keep kicking & stretching along with me.

~ Be amazing!

My Picture Book Got a Crew Cut

I wrote my first picture book. I brought the manuscript to a conference hosted by the Society of Children’s Book Writers and Illustrators, held in Houston this past April. And I felt pretty darn good about my creation. I’d already spent months making adjustments and changes, rearranging sentences and paragraphs. I’d shown it to several friends and family members. I’d consulted with a few fellow writers. It’s a clean document, I thought. It’s pretty much done.

I knew I wanted to self-publish Arthur Zarr’s Amazing Art Car. I had already published a nonfiction history book through a freelance writing job. So, I knew the procedures of obtaining my ISBN, barcode, copyright, graphic designer, and printer. And I was confident that the text for my picture book was ready. I’d hired an illustrator, and he was busy drawing. I felt good about where my book stood at that point.

Fast forward to the end of Day Number One of the SCBWI conference. Wow. As I drove home, I reflected on what I had learned over the past eight hours. Much of it, I knew. Things like, trim the fat. Make every word count. Don’t use adverbs. Show, don’t tell! Show, don’t tell! Show, don’t tell! (We heard that one a LOT).

I heard some other information, too. One speaker emphasized, “It all begins with strong verbs.†He also said, “The adjective is the enemy of the noun.†By that he meant, don’t say “an enormous house†when you can say “a mansion.†An agent stressed, “Is your manuscript as polished as possible?†Another agent encouraged, “Trust the reader.” And in every talk, the editors stressed: Rewrite. Rewrite. Rewrite.

I came home and read my picture book with a fresh set of eyes. I tried to think like an agent or editor. I rewrote. Again. And again. And again. I’m including one page of my text to demonstrate what I did. I cut my manuscript. After one enlightening day at a SCBWI conference, I deleted 612 words from my story!

For a moment, self-doubt got the best of me. I’m untalented. I’m afraid. My ideas are lame. I have no business trying to self-publish a children’s book. But then I remembered something else I heard that day at the SCBWI conference: “Everyone gets rejected.†And, “Nothing succeeds like failing; because if you’re failing, that means you are trying.â€

So, I flipped my thoughts and looked at my book-scalping experience as a success. I also hired a copy editor, and that—in addition to the fee to attend the SCBWI conference—was the best money I’ve spent while developing my picture book.

If you’re a writer, don’t be afraid to give your manuscript a serious haircut. Who knows? Maybe crew cuts are back in style.

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